I find the music in this song so very bright after the sweet
sadness of Cheap Day Return. The harmony
between Ian Anderson and Martin Barre is almost playful. Ian has said in a rare explanation of why he
wrote a certain song that this was created to cheer him after writing Cheap Day
Return.
There is has been much speculation as to the references in
this song. Here are my opinions and I
claim no special knowledge as to the author’s intent. He adds new characters that will appear again
in other songs. He also gives us a hint about
what is happening around him.
Piccadilly Circus 1971 |
One must remember that Jethro Tull is beginning to
experience real commercial success. The
band’s tours have expanded across the pond to the United States though I will
not get to see them perform live until 1972 in their first visit to
Atlanta. This backdrop is necessary to
see my perspective on this song.
I think that from the beginning Ian Anderson had a very deep
feeling about the commercial aspect of the music world. He was never in it for the money. As he is writing and recording this album the Beatles are
breaking up. I think this is the
reference to crying school girls. I
think as well that the comment about labourers and gold is a reference to his
feelings about the money the band is making. They work hard to make money to buy records whilst he sings and plays to get their money.
I also see a progression from the money aspect to the social
aspect of wealth. His character, Johnny
Scarecrow will show up again in another song about the needs of the homeless. Here, I believe he is commenting on the fact that a man
is cold and a snowman has a mac or coat.
Can one really steal from a snowman?
What this song does for me is end a prelude. We have seen Aqualung, Mary, Ian’s own
sadness, and other social aspects of London (Piccadilly Circus). The music is about to turn a corner going
from specific to general; personal to universal. I remember how much I enjoyed this song and
played it over and over. I researched the
meaning of the things in it without the lovely aid of a computer (my first
computer encounter was still fifteen years away).
What I saw then and still see clearly now is that even in
our success there must be something outside of ourselves to which we give our
attention. Even in “cheering himself up”
Ian Anderson considers the needs of others.
This gnawed at me because I was trying to close in on myself and shut
the world out. Here was an artist I
admired telling me I could not.
Mother Goose – Ian
Anderson
As I did walk by
Hampstead Fair
I came upon Mother
Goose
So I turned her loose
She was screaming.
And a foreign student
said to me
Was it really true
there elephants and lions too in Piccadilly Circus?
Walked down by the
bathing pond to try and catch some sun.
Saw at least a hundred
schoolgirls sobbing into handkerchiefs as one.
I don't believe they
knew I was a schoolboy.
And a bearded lady
said to me
If you start your
raving, and your misbehaving
You'll be sorry.
Then the
chicken-fancier came to play
With his long red
beard (and his sister's weird: She drives a lorry).
Laughed down by the
putting green
I popped 'em in their
holes.
Four and twenty
labourers were labouring
Digging up their gold.
I don't believe they
knew that I was Long John Silver.
Saw Johnny Scarecrow
make his rounds in his jet-black 'mac
(Which he won't give
back) Stole it from a snowman.
As I did walk by
Hampstead Fair
I came upon Mother
Goose
So I turned her loose
She was screaming.
Walked down by the bathing pond to try and catch some sun.
Saw at least a hundred schoolgirls sobbing into
handkerchiefs as one.
I don't believe they knew I was a schoolboy.
Wishing you joy in the journey,
Aramis Thorn
Mat 13:52 So Jesus said to them, "That is why every writer
who has become a disciple of Christ’s rule of the universe is like a home
owner. He liberally hands out new and old things from his great treasure
store."
I have to say, Piccadilly looks remarkably similar today!
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